Alexander Hrustevich – Accordion Virtuoso
…a virtuoso was, originally, a highly accomplished musician, but by the nineteenth century the term had become restricted to performers, both vocal and instrumental, whose technical accomplishments were so pronounced as to dazzle the public.
In recent years, the term virtuoso has been overused and downgraded to include any artist who has command over their instrument. The word ‘proficient’ should suffice when describing most accomplished performers however, once in a while, a musician will come along who goes way beyond just proficient. I am reminded of the likes of Paganini, Pavarotti and Jacqueline du Pre when looking to fit this bill.
Alexander Hrustevich fits the description perfectly. There is nobody more proficient at playing the accordion than Alexander.
Ukrainian-born Alexander Hrustevich is one of the best bayanists in the world. Mr. Hrustevich is constantly invited to perform in many countries, including Poland, Austria, Germany, Italy, Spain, Russia, Serbia, Brazil and many others. Just recently, he performed with legendary musician and composer, winner of several Grammy awards Bobby McFerrin in a sold out, three thousand audience arena in Kiev.
The very first notes will take your breath away… Alexader Hrustevich is able to play the most complicated transcriptions of violin, piano and orchestra pieces with the bayan; starting with Tchaikovsky’s Concerto for Violin and Orchestra and finishing with a fragment from Antonio Vivaldi’s “The Four Seasons.” Using his ten fingers at the same time, he is able to easily play both orchestra and violin parts. For these extraordinary abilities people and critics call Mr. Hrustevich – “the man orchestra“.
As prof. David Yearsley writes about Mr. Hrustevich’s recording, which he saw on Youtube: “The small stage on which Hrustevich demonstrates his art is festooned with yellow and orange balloons and fake flower garlands. The camera is hand-held, but despite all of this, you can feel how great are this virtuoso’s gifts.” The professor also compares his interpretations of Bach Passacaglia with a pianist: “Tricky passages that the pianist divided between the two hands, Hrustevich manages with one. He revels in the virtuosic spectacle of fingers flying and sliding and contorting over buttons and in the same time picking almost every note cleanly. It’s rather like playing the Bach Passacaglia on a travel typewriter, only harder.”(The Musical Patriot).
Born in 1983, Alexander Hrustevich started to play the bayan by the age of 6. He graduated Ukraines National Academy of Music as a student of prof. Besfamilnov. Apart from his solo activity, he is also a member of the National Academy Orchestra.